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Published on March 24th, 2011 | by Ruth

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Drinking the Future: Wine Barrel Tastings

Bar­rel tast­ings re­quire a good dose of imag­i­na­tion- the wines are un­fin­ished. Some­times they're al­ready de­li­cious, some­times you can taste the beau­ti­ful promise, and some­times they just aren't that great. The pours are drawn di­rect­ly out of the bar­rel with a cof­fee-baster look­ing in­stru­ment called a wine thief. The bar­rels have lots of air, so you some­times need to swirl it out to get a bet­ter taste. Dis­counts are usu­al­ly of­fered for peo­ple who are con­fi­dent in their guess­es about how the wine will ma­ture- they go ahead and buy a "fu­ture." We head­ed to the 33rd An­nu­al Bar­rel Tast­ing in Sono­ma Coun­ty to give our tastes a chal­lenge. We were es­pe­cial­ly ex­cit­ed be­cause the event is put on by the same peo­ple who do the Win­ter Wineland that we en­joyed in Jan­uary.

Our first stop made us ques­tion the wis­dom of google maps and our phone GPS- it seemed to be lead­ing us in­to a com­mer­cial park, rather than the pic­turesque vine­yards and cute tast­ing rooms we've be­come ac­cus­tomed to. We were fur­ther skep­ti­cal when Siduri Wines turned out to con­sist of wines from vine­yards up and down the coast, from Willamette Val­ley Ore­gon to South­ern Cal­i­for­nia. Our at­ti­tude changed, how­ev­er, when we start­ed talk­ing to the peo­ple pour­ing the tast­ings. Sev­er­al of the guys proud­ly ex­plained that the grapes were from their vine­yards, and ex­plained that Siduri buys by the acre and en­cour­ages prac­tices that re­sult in low­er yield, high­er qual­i­ty har­vests.

We chat­ted for a while with Di­ana Lee, the co-own­er of Siduri. She and her now-hus­band, Adam, met al­most 20 years ago when they were both Tex­ans work­ing their first day in a Neiman Mar­cus- her in the epi­cure­an de­part­ment, him in the wine de­part­ment. They start­ed spend­ing more and more time to­geth­er, and a year lat­er de­cid­ed to pur­sue their love of wine in Cal­i­for­nia. They moved to the bay area and both got jobs in a tast­ing room, and found their first vines on Craigslist. With no ex­pe­ri­ence or of­fi­cial train­ing, the two cre­at­ed 100 cas­es of their first wine, a Pinot Noir. They sent some to wine crit­ic Robert Park­er, who gave it a good re­view, and they sold all of the wine, and rein­vest­ed. The next year they cre­at­ed 300 cas­es. Siduri Wines now pro­duces 40-50 SKUs per year.

Our Siduri tast­ing start­ed with al­ready bot­tled wines, and end­ed with the bar­rels- lots of Pinot Noirs. The 2008 Be­ran Pinot Noir ($39/bot­tle), de­spite our fond­ness for Willamette Val­ley Pinots, un­der­whelmed. We found it nice, but sin­gle-note.  Mov­ing to the 2008 Ewald Pinot Noir ($44/bot­tle), we were more im­pressed – notes of cigar and sub­tle spici­ness- we would def­i­nite­ly drink it again. The 2008 Sonat­era Pinot Noir ($49/bot­tle) blew us away- smooth fruit and spice, grown in a Sono­ma vine­yard. The 2009 Keefer Ranch Pinot Noir was round, boun­cy, and com­plex, but not in a good way. From south­ern CA, we tried the 2009 Clos Pepe Pinot Noir. The grapes are small, and the wine was heavy for a Pinot- earthy, with heavy tan­nins. In­ter­est­ing, but not what we look for in our fa­vorite Pinots. From the bar­rels, we liked the 2010 John Se­bas­tiano Pinot Noir, and loved the 2010 Par­sons' Pinot Noir- fruity, with min­er­al hints and def­i­nite­ly worth re­vis­it­ing.

Af­ter Siduri, we head­ed to De­Loach. At the end of the pic­turesque drive, an alu­minum dim sum food truck greet­ed us- bril­liant food ac­com­pa­ni­ment to a day of wine tast­ing. The bar­rel tast­ing room was decked out in "Mon­keys in a Bar­rel" theme (Re­mem­ber the game?), though we learned that eat­ing ba­nanas isn't rec­om­mend­ed with wine tast­ing- they clog the palate. Be­fore delv­ing in­to the bar­rels, we tried the 2008 Rus­sian Riv­er Chardon­nay. We en­joyed the bright hon­ey­dew taste, but found the af­ter blunt. From the bar­rels, we were fond of a bio­dy­nam­ic, or­gan­ic, mel­low pinot noir. My tast­ing notes read, "Nom." Joe, who gave us our tastes, ex­plained that wine ran in his fam­i­ly. Grow­ing up, his fa­ther made wine- noth­ing fan­cy, just table wine for the fam­i­ly. Though his moth­er wor­ried that they'd all go blind, noth­ing dra­mat­ic ev­ery hap­pened to the fam­i­ly from their home-made-wine con­sump­tion.

At Joseph Swan we were un­der­whelmed from start to fin­ish. We tried sev­en dif­fer­ent wines, and found none of them com­pelling enough to come back to. The pours were al­so on the miser­ly side- bare­ly enough to taste the wine.

Rus­sian Riv­er Vine­yards felt much more wel­com­ing. The restau­rant ad­join­ing the tast­ing room looked invit­ing and smelled de­li­cious. We'll def­i­nite­ly make a vis­it to it in the fu­ture. We start­ed with the Rose Char­bono, and moved to the 2009 Char­bono bar­rel tast­ing. It was smooth and promised a bit of spice, like an earth­i­er Pinot Noir. With the idea of get­ting "some skin in the game," af­ter much de­lib­er­a­tion we pur­chased a half case, The Char­bono is an ex­treme­ly rare va­ri­etal in North Amer­i­ca. It is thought to be the Bonar­da of Ar­genti­na, which, in turn, is from the Vene­to re­gion of north­ern Italy. Oth­er sources claim that it's ac­tu­al­ly the Dol­cet­to of north­west­ern Italy. Wher­ev­er it's from, we're look­ing for­ward to try­ing the more ma­tured ver­sion in June, when our bot­tles ar­rive. At Rus­sian Riv­er we al­so tried a 2008 Pinot Noir ($35/bot­tle). Though we found it very drink­able, with depth and smoke, we weren't sure that it stacked up well agains oth­er Pinot Noirs in the same price brack­et. The Reis­ling ($25/bot­tle) makes a good, drink­able table wine. We fin­ished our tast­ing with the 2009 Men­do­ci­no Ridge Botry­tis Chardon­nay ($65/bot­tle), a dessert wine that was like sip­ping liq­uid gold­en raisins.

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About the Author

The ampersand tattoo on her shoulder goes a long way towards explaining Ruth's outlook on life: there's always an "and." With TrulyNet, Ruth enjoys working on social media and writing... and editing... and... Ruth went to the University of Oregon, where she studied music, dance and cognitive psychology (and sleeping very little). While there, she designed classes and taught arts enrichment to talented and gifted grade-school students. After graduation, Ruth spent several years as a Market Analyst at a large law firm in New York. Feeling the pull back to the west coast, Ruth moved to San Francisco and worked for Stanford for a year before deciding to pursue dance. She now runs dance events (wejustdance.com) and travels around the world teaching Argentine Tango, Blues Dance, Street Jazz, and as many other dances as she can get her feet on (danceruth.com). Ruth is also the founder of Just Dance Project (justdanceproject.com), a collection of recordings of people dancing to music - a living anthropological study. Ruth spends more time on Facebook that she cares to admit. When not attached to the computer, working for TrulyNet, or dancing, Ruth rock climbs, knits, swims, obsessively plays Boggle, plays games, plays tennis, cooks, sips beer, wine and whiskey, and travels seeking adventure.



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